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“When things get down and people get scared and they get nervous, are they’re running around, like, saying, ‘What’s happening? The world’s coming to an end,’ it’s just part of the - that wierdness of this business.”
Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt Disney Animation Studios since The Emperor’s New Groove and his credits include supervising the characters of Yzma, Slim from Home on the Range, and Wilbur from Meet the Robinsons. Dale recently finished animating on the latest Goofy short How to Hook Up Your Home Theater, and he’s currently working on the upcoming film The Princess and the Frog. This is part two of a two part interview.
I threw the switch and changed the layout of the site. As I expected, some things got pretty thrown out of whack! It all seems functional now, but I’ll be fiddling with it to get it the way I like.
Stuart Ng always has a must-see booth at the Comicon filled with domestic and import sketchbooks and art books. His website has been redesigned and I noticed a pretty useful page filled with tips on making and selling your own artist sketchbooks. The tips are not about HOW to draw the pretty pictures - that’s up to you. Instead he details many practical tips that can help you make decisions regarding design, binding, content, printing and more. If there’s an expert on this, it’s Stuart, so it’s worth a read.
While you’re there, don’t miss the regular part of the store. There are tons of books (and sketchbooks) for sale that may inspire you to create your own.
“It was like going to Mount Olympus and meeting the Gods. It really was. And I was scared to death.”
Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt Disney Animation Studios since The Emperor’s New Groove and his credits include supervising the characters of Yzma, Slim from Home on the Range, and Wilbur from Meet the Robinsons. Dale recently finished animating on the latest Goofy short How to Hook Up Your Home Theater, and he’s currently working on the upcoming film The Princess and the Frog. This is part one of a two part interview.
Here’s a little something that may be of interest to animation types who like motion analysis. David Michalek films actions in super high speed (at 1,000 frames per second) and then uses computer interpolation to slow it down even more - like 5 seconds plays in ten minutes. Click the image for a sample. That’s the only clip I found online. In this clip, check out how the feet react when they push off and land back on the floor. Subtle, but cool to see.
He’s had an exhibition in New York and if you’re in L.A. from September 17 through 26 you can see the outdoors show for free at the Music Center of Los Angeles. (Click here for details.)
If you look at the Performers page of his site, you’ll see that the show promises to include some very interesting clips to watch. This one may just be too interesting to pass up.
This seems like just the thing many listeners of the podcast would love to own. Past guest of the show, Glen Keane has donated his talents to the ESPN V Foundation by creating a one of a kind skateboard deck featuring a treesurfing Tarzan. It’s up for auction for eight more days. As of now, there’s only one bid for $100. Pretty cool for one lucky bidder and the proceeds go towards research to cure cancer.
I was at the San Diego Comic Convention this weekend and discovered that Chris Sanders has created an official website which went live this past Wednesday. He says it’s still in the growing stage, but there are already some great sketches, desktop wallpapers, and a peek at his vinyl figure he debuted at the Con. Of course, I had to buy one. It’s a really great sculpt of his design. Believe me, I’ve watched plenty of his drawings become “3d” and it ain’t easy!
“And Joe always told me, he said, ‘Burny, keep drawing. Keep drawing. You know, because that’s where your ideas are all gonna come from.’”
In the fourth and final part of his interview, Burny Mattinson leads us through Disney’s second golden age of animation. He talks about his work on various films inlcuding Aladdin, The Lion King, Pocahontas, and Mulan, and he shares some great advice on story idea generation and pitching. Burny has worked at Walt Disney Animation Studios for close to 55 years as an animator, story artist, director, and producer.
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