“To me it’s not about moving stuff around. It’s about thinking about a personality within a story.”
The conversation with Ken Duncan continues. In this second part of the interview, Ken talks about some of the his earlier films at Disney. Then the conversation focuses on his personal approaches to acting and his general workflow for animating productively.
[audio:http://media.libsyn.com/media/animationpodcast/AP027.mp3]Continue for Show Notes, audio file download links, and comments…
Get the MP3 here: Show 27: Ken Duncan, Part Two
(25MB, 54:20 minutes)
Or get the enhanced version playable only with Quicktime, iTunes, or iPods.
(Includes chapter breaks, pictures and links in addition to the audio.)
Get the enhanced podcast here: Show 27: Ken Duncan, Part Two
(26.4MB, 54:20 minutes)
SHOWNOTES
- 00:00 The Intro Voice
- 00:05 Sponsored by –

- 00:21 Introduction – Duncan Studio
- 01:03 Coming to Disney from Bluth
- 03:35 The experience of working at Disney
- 05:09 Rescuers Down Under and meeting his wife
- 06:14 Beauty and the Beast and Aladdin
- 08:33 Pocahontas and supervising Thomas
- 10:04 Dialog recording sessions
- 11:06 Figuring out acting
- 17:02 Boleslavsky – Acting: The First Six Lessons

- 21:06 Choreography of characters – The Odd Couple
- 24:02 Finding meaning in performances
- 30:10 Charlie Chaplin, Buster Keaton, Harold LLoyd
- 35:31 Animating in red for clean-up pt. 1
- 36:58 What is a breakdown?
- 37:57 Animating in red for clean-up pt. 2
- 39:55 A process to animate a large piece of the film
- 41:41 Discipline to rely on knowledge and not technology
- 44:12 Animation: a commercial art with finite schedules
- 47:07 Inspired by other actors’ approaches
- 48:57 Animators who lead the artform
- 49:59 Animation is a crazy idea
- 50:40 Conclusion
- 50:51 Question about show length
- 51:09 Feedback info/Voicemails – Email Clay – Link to Voicemail – Link to Michael’s blog
- 53:55 Sponsored by –

- 54:06 Closing

Leave a Reply to Floyd Norman Cancel reply